Adrift

Adrift

James Bason
Oil on Panel
8 x 8 inches (L x W)
"The end of April and a sky of bright blues and big drifting clouds. Not everyday is a good cloud day but this spring day west of the divide was. The willows and dogwoods still retaining their warm oranges and reds but hinting with yellows and greens of coming summer." - James Bason

After the Smoke Cleared

After the Smoke Cleared

Tracie Hubbard
Oil on Panel
10 x 10 inches (L x W)
"This piece was created from several photos I captured in 2014 after the Lolo Peak fire had swept down Highway 12. I was often struck by the beauty of the lighting on this red barn, as the smoke filtered the sun on the face of the building." - Tracie Hubbard

Coca-Cola Cowboy

Coca-Cola Cowboy

Tanden Launder
Mixed Media
58.75 x 40.75 inches (L x W)
"Inspired by the icons of the west and advertising in a aesthetic duo." - Tanden Launder

I Never Lie

I Never Lie

Oil on Canvas
48 x 24 inches (L x W)
"Contemporary interpretation of Lascaux" - Doug Taplin

Larch at Lake Como

Larch at Lake Como

Teresa Garland Warner
Oil on Linen Panel
9 x 16 inches (L x W)
"Yellow Larch trees add autumn color to Lake Como." - Teresa Garland Warner

Morning in the Park

Morning in the Park

Clint Howard
Pastel on Archival Sanded Paper
18 x 24 inches (L x W)
"I walked down to the river early in hopes the trout would be hungry. Flyrod. Waiters. Pack. But I only got a few casts in before the view captured my attention. The sun, arriving over the ridge behind me, cast a warm morning glow on the whole valley." - Clint Howard

Morning Traffic

Morning Traffic

Jake Gaedtke
Oil on Linen
24 x 32 inches (L x W)
"The location is Mills Lake in Rocky Mountain National Park, Colorado. I hiked up to Mills Lake very early in the morning. The alpenglow from the nearby peaks reflect in the lake indicating the start of a new day, while the log jam is still in evening light. The contrast of night into day, warms playing against the cools and the chaos of a log jam against a clean and peaceful water was so appealing to me. I did a small version of this painting about 20 years ago. I used it as my reference for this larger version." - Jake Gaedtke

Moving with the Sun

Moving with the Sun

Renee Gould
Oil on Canvas
36 x 30 inches (L x W)
"Every summer when I was a child, we would go out with my mom's side of the family, ten horses and twenty people, and every day we would make a big ride out into the mountains, to places you could never get to on foot. Often we came across scree slopes, and the only way home was down them. My mom talks about when I was little and our pony would not follow the rest of the horses across one, but chose its own path up and back down, and she had to trust that pony to take care of us in that moment. This painting is a little more of a wild scene, which seems to be on trend for what I create, but it reminds me of those days." - Renee Gould

Pink and Blue

Pink and Blue

Turner Vinson
Oil on Linen
20 x 16 inches (L x W)
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Ridge Runners

Ridge Runners

Shirle Wempner
Ridge Runners
11 x 14 inches (L x W)
"I’ve recently moved to a high desert area that has wild horses running freely through the hills just outside my home. Their beauty and resilience amaze and fascinate me. In this painting, I try to capture the essence of their energy and spirit as they run from the valleys onto the ridges with incredible power and strength in this ever-changing landscape." - Shirle Wempner

River of Light

River of Light

Lea Doise
Oil on Panel
11 x 14 inches (L x W)
"This piece is about capturing the light hitting the water and cascading over the trees and foliage. I was trying to capture the warmth of the sun along with the coolness of the water carving its way through the land." - Lea Doise

Sky Horse Study V

Sky Horse Study V

Andrea Morgan
Mixed Media on Birch Panel
5 x 7 inches (L x W)
"I made these Sky studies when our sunsets were fluorescent pink/red from wildfire smoke." - Andrea Morgan

The Lucky Spur

The Lucky Spur

Ann Watcher
Oil on Linen Panel
12 x 9 inches (L x W)
"'The Lucky Spur' is painted with thinly applied darks and opaque passages - in places becoming the bench that holds the boots as a red kerchief casually spills over the bench, or opaque darks across the leather of the boots. The spur itself (actually there are two spurs, but the supporting one is in the shadow) is alight with a silvery presence that adds a kind of exclamation point to the worn boots. I was interested in featuring the back of the boots more so than the front as a way to explore the form, painting the pattern loosely. Hoping the energy and the spur bring you a bit of luck!" - Ann Watcher

Under a Ranch Moon

Under a Ranch Moon

Rainny Zhao
Oil on Linen
14 x 11 inches (L x W)
"Part of my Ranch Life series, Under a Ranch Moon captures the end of a working day, when the horses settle nearby and conversation lingers around the fire beneath the rising moon." - Rainny Zhao

Your Choice

Your Choice

Timothy McOmber
Mixed Media on Canvas
36 x 36 inches (L x W)
"The portraits in this series explore the relationship between the cowgirl and the layers of printed pages that surround her. Rather than serving as a simple backdrop, the collaged imagery becomes part of her story. By pairing graphic portraiture with fragments of vintage comics, newspapers, and advertisements, each piece invites the viewer to consider how the mythology of the American West is shaped by the images and stories we inherit." - Timothy McOmber

Zig and Zag

Zig and Zag

Rick Kennington
Oil on Panel
10 x 12 inches (L x W)
"With quiet confidence, the cowgirl guides a small band of Herefords down the winding hillside, each turn demanding patience and instinct. The cattle weave back and forth across the slope—zigging and zagging—as horse and rider move with the rhythm of the land. It's a simple moment that reflects the timeless partnership between rancher, horse, and herd in the American West." - Rick Kennington
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