While developing as a painter, Tom Browning became a proponent of the idea that “less is better.” That concept began applying itself to all elements of the creation of a painting, from the initial concept of the design down to the actual brushstrokes. The most obvious application of this idea is the use of a single light source. “This keeps forms and shadows throughout the painting consistent and unified. As a result, I became a student of light and the endless values it can create,” Browning says. “But again, I noted fewer values seemed to create a stronger painting.”
Blue Wash, oil, 18 x 30”
Browning continues: “Some of my most inspiring painters tended to keep things very simple and direct—James Reynolds being one of these. I soon revered his handling of light, his broad brushstrokes and the quiet nature of many of his paintings. Rather than putting together a complex scene with too many figures, colors and values, I began to prefer keeping things uncomplicated and easy for the viewer to absorb. By using a single center of interest with a strong contrast of values and color, I found I could easily control the viewer’s eye by using less, free to concentrate on all of the other aspects of painting.”
Last Loop of the Day, oil, 20 x 18”
This led to a style of painting that appeared spontaneous and direct, and it allowed Browning to apply it to any subject matter, adding just enough detail so as not to detract from the overall idea of the chosen theme. It’s a style that ‘implies detail’ as long as the values and drawing are correct. “From a distance it’s almost photographic, but at close range one can almost count the brushstrokes,” the artist adds. “Later on, however, I did find myself adding more detail and blending to give things a more finished look without getting bogged down with too much rendering.”
Runnin’ the Ridge, oil, 18 x 36”
These methods allow Browning to paint the West as he sees it. “Growing up when our culture included ‘all things Western,’ I was always drawn to the West for my subject matter and inspiration,” he says. “They were simpler times, and I feel that every time I begin a new painting. I hope those feelings come across to any viewer looking at my work.” —
Want to See More?
Represented by J Watson Fine Art
(661) 476-7558 | www.jwatsonfineart.com
info@jwatsonfineart.com
Powered by Froala Editor
