In 2005, the Booth Western Art Museum launched its first Western American Art South of the Sweet Tea Lineexhibition, featuring Western art from Southern collections—both private and public. Opening November 22, the Booth opens its seventh exhibition in the series, boasting around 18 sculptures and objects as well as 41 paintings.

Malcolm Furlow (1946-2023), Galloping Chief at the Gorge, acrylic on canvas, 46 x 58 in. Gift of Mary Carole Cooney and Henry Bauer, Booth Western Art Museum permanent collection, Cartersville, GA.
“This year’s exhibition is a little different in that we included some works of art that were donated to the museum after Sweet Tea VI, as well as amazing works in private collections,” says Lisa Wheeler, director of curatorial services at the Booth. “More than 30 households located in Georgia, Alabama and Tennessee are represented, and the exhibition features approximately 59 works of art by 50 artists.”
Upon touring collector’s homes, looking through treasured collections and selecting works of art, Wheeler shares that four themes emerged. The exhibition is made up of Western landscapes, Native Americans, animals and wildlife, and the cowboy and cowgirl lifestyle.
A highlight from the Native American category is Malcolm Furlow’s (1946-2023) Galloping Chief at the Gorge.The vibrantly colored painting features exactly what the title suggests: an image of a Native American figure on horseback galloping toward the viewer.

Jason Rich, Winter Shadows, 2005, oil on canvas on panel, 47½ x 59½ in. Gift of Sherrie Schork Exempt Trust, Booth Western Art Museum permanent collection, Cartersville, GA.
“Furlow was a true Renaissance man, the quintessential cowboy, musician and intellectual artist,” Wheeler adds. “In his artwork, Furlow strived to show his deep admiration and respect for his Choctaw heritage. He said, ‘I knew I wanted to say it with color because that’s the emotion of it. I’ve got to make the viewer feel what I feel. All I’m trying to do is paint them as they are—paint their culture, their dignity and their stature. I didn’t want to do portraits of Indians; I wanted to say something about the human condition.’”
Visit the Booth through April 26, 2026, to view the full exhibition. An exclusive member opening is held Saturday, January 10, 2026, from 4 to 7 p.m. Visit the museum website for registration and additional information. —
Western American Art South of the Sweet Tea Line VII
November 22, 2025-April 12, 2026
Booth Western Art Museum
501 Museum Drive, Cartersville, GA 30120
(770) 387-1300 www.boothmuseum.org
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