Like so many places in the West, New Mexico is not the setting for one kind of story for one kind of people. It’s the story of countless people and cultures, many of them overlapping and interacting with one another. It’s this fusion that has come to define the Southwest, the heart of which lies in the Land of Enchantment.
It’s the land of the Pueblo People, New Mexico’s first inhabitants—the people of Acoma, Taos, San Ildefonso, Santa Clara, Zuni and others. The land of early Spanish and Mexican settlers. The land of migrating East Coasters who braved the Santa Fe Trail to find a better life on the Western Frontier. It’s the land of cowboys and cattle, sand and sagebrush. Today, these cultures are represented in the very fabric of New Mexico’s history, and they shine outward, revealing a rich diversity all around the state.
Nowhere is this more obvious than in New Mexico’s art, particularly in Santa Fe where Indigenous, Spanish and cowboy ways of life fuse together in an enticing mixture of Western creativity. Countless galleries and museums fill the state, as do artists and art events, including some of the biggest in the country, such as Santa Fe Indian Market. Fine art can be found in abundance, but the beauty that inspires it also seeps into other areas: culinary arts, architecture, performing arts, music and film—New Mexico is a hotbed for a diversity of originality.
In this section we will celebrate the magic of New Mexico, and we encourage you to participate with us.
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When Carlos Vierra (1876-1937) arrived in Santa Fe, New Mexico, in 1904, he wrote to his sister, “The people in this part of the country have about as much use for an artist as their burros have for a fiddler’s midsummer night’s dream.” He told his mother, “I expect to stay here two or three months.” Vierra became the first resident Anglo artist in Santa Fe, running a photo studio on the plaza, pursuing his painting and advocating for the preservation of historic architecture.
The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection, The New York Public Library. “The plaza, Santa Fe, New Mexico.” The New York Public Library Digital Collections. 1850-1930.An 1883 etching by Peter Moran (1841-1914), illustrates what Santa Fe may still have looked like, 20 years later when Vierra arrived.
Vierra was joined by other artists who came to Santa Fe not for the light, color and history, but for the salubrious environment as the region became a mecca for the treatment of tuberculosis. Fresh air was the therapy of choice before antibiotics were invented. Soon, Gerald Cassidy, Sheldon Parsons and Kenneth Chapman arrived for the same reason. Cassidy’s wife, Ina Sizer Cassidy, noted at the time, that Santa Fe had “no paved streets, no automobiles, and one sewer line…A passenger could ride all over town in a horse-drawn taxi for a quarter.”
Edgar Lee Hewett (1865-1946) came to Santa Fe with his wife, Cora, for relief from tuberculosis. An extraordinary figure in the history of art and archaeology of New Mexico, Hewett was a cultural entrepreneur who founded the Museum of New Mexico in 1909. He offered the recovering artists studio space, exhibitions and jobs.
John Sloan (1871-1951), Travelling Carnival, Santa Fe, 1924, oil on canvas, 30¹⁄8 x 36¹⁄8 in. Smithsonian American Art Museum. Gift of Mrs. Cyrus McCormick, 1972.149.In her book From Humble Village to Cultural Center: The Birth and Growth of Santa Fe’s Art Community, Stacia Lewandowski writes, writes “Particularly interesting to discover is how the artists responded to the Santa Fe environment once they arrived. Some were enraptured for a lifetime. Others found the city engaging for a limited period, while there were those whose stay was brief because they were not convinced it served their artistic needs. Those who found the environment captivating, however, responded with a visceral enthusiasm that spilled over into the life of the city. These artists became energetic, visible members of the community—activists as well as neighbors—who provided varied expertise, assistance, and highly entertaining diversions. As a result, their influence seeped into the city culture and created an atmosphere attentive to the arts.”
A highlight of her book is a pamphlet describing walking tours of artists’ homes in Santa Fe.
Raymond Jonson (1891-1982), Arroyo #4, 1922, oil on canvas board, 15 x 24¼ in.The Armory Show, officially the International Exhibition of Modern Art, shocked the country when it opened in New York in 1913. It showed the works of European modernists for the first time in this country along with the more avant-garde of American artists. Mabel Dodge Luhan (1879-1962) wrote to the board of the Armory Show, “I’ll be delighted to help in any way with the exhibition, because I think it is the most important thing that ever happened in America, of its kind. Anything that will extend the unawakened consciousness here (or elsewhere) will have my support…The majorities are content to browse upon past achievements. What is needed is more, more and always more consciousness, both in art and in life.”
Mabel moved to Taos in 1918 and brought modernism with her, inviting artists to visit. Many of them stayed.
Raymond Jonson (1891-1982) had seen the paintings of Wassily Kandinsky (1866-1944) at the Amory Show and was inspired by Kandinsky’s book Concerning the Spiritual in Art.Kandinsky wrote, “Color directly influences the soul. Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another purposively, to cause vibrations in the soul.”
Peter Moran (1841-1914), Santa Fe, 1883, etching in black on wove paper, 4½ x 67⁄8 in. National Gallery of Art, Washington, D.C. Reba and Dave Williams Collection. Gift of Reba and Dave Williams.Jonson had visited Santa Fe on a sketching trip and returned permanently in 1925, determined to make his paintings “an expression of sensation, rather than as a reflection of environmental appearances.” In 1938, he and a group of other artists formed the Transcendental Painting Group “to carry painting beyond the appearance of the physical world, through new concepts of space, color, light, and design.”
Santa Fe has always entertained a mix of cultures from those of the many pueblos, to the blending of Spanish and Mexican influences, to those who brought different ideas from the East and from the West.
P.A. Nisbet moved to the Southwest in 1980 and began renting a studio on Garcia Street in Santa Fe in 1995. John Sloan built the studio in 1922. It was the site of Sloan’s painting and partying for four months each summer for nearly thirty years. Nisbet’s painting, High Desert Dawn, depicts one of the many extraordinary moments of sun, clouds and landscapes in northern New Mexico—and its challenges for the artist. Nisbet writes, “The dawn comes up playing a crescendo! In truth, a painting cannot really capture the intensity of color that spreads before the astonished eye. On canvas, the reds and yellows are by necessity dull compared to the real transmitted brilliance of a New Mexico sunrise. Attempting it in paint is a kind of celebration and also a forgiving nod to the limitations of pigment.”

Mabel Dodge Luhan’s home in Taos. Courtesy New Mexico Tourism Department.
Artists who have mastered their craft and have expressed their ideas through innovation have always been at the top of the market in Santa Fe. Native American and Hispanic art maintains traditions but there have always been innovators. Painters and sculptors of the American West complement the older traditions. All are represented in over 250 galleries across the city in areas such as Canyon Road, the Santa Fe Plaza and the Railyard. Most galleries are in converted homes or shops and galleries in the Railyard have been purpose-built.

Emil Bisttram (1895-1976), New Mexico Compound with Poplar, ca. 1950, watercolor on paper, 17¾ x 23³⁄8 in. Courtesy The Owings Gallery, Santa Fe, NM.
Leroy Garcia began selling art in the second floor of his family’s home in Taos. At that time, he sold primarily art made by his cousins and other family members. Thirty-one years later Blue Rain Gallery in the Railyard (with a branch in Durango, Colorado) is a world-class gallery. A fortuitous acquisition of a collection of high-quality Native pots, and his recognizing the future of art glass when he first saw the work of Preston Singletary in 1998, have complemented his own eclectic interests. He also recognized the importance of the pottery of Tammy Garcia who “used the entire surface of the pot, unlike many people before her,” he notes. “Nancy and Nathan were doing that but with different designs and imagery.”
Garcia continues, “Another development in Native art is fashion. The artists are designers and are looking for a new canvas for their designs. It’s a completely natural fit.” Across the spectrum of art offered at Blue Rain, Garcia insists on innovation and refinement, qualities that are found in all of Santa Fe’s best galleries.
With the arrival of the Internet and social media, the gallery world began to change. It found new ways “to invest in the artists, to help them grow and to protect their prices,” according to Garcia. The arrival of Covid spurred another major adjustment when galleries closed to foot traffic and had to find other ways to promote their artists to collectors and to the general public.
As Santa Fe galleries evolve and adjust to fluctuations in the market, Garcia sees one thing remaining constant: “Santa Fe has held its place because of the aesthetic of natural light that has always brought artists here. There is a treasure trove of imagery to paint.”
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FourElements BeadWorks
Santa Fe, NM
(505) 467-8549, www.fourelementsbeadworks.com
FourElements BeadWorks was born out of the daily gift of creative expression known as jewelry design. “I see the sunset after a rainstorm, and a series of colors and shapes forms the basis for the next collection that I create,” says Suzy Johnson, the artist behind FourElements. “A trip to the ocean, the desert or the mountains gives me unlimited ‘data’ for every new collection.”

FourElements BeadWorks, Way Out West II, one of a kind three-strand turquoise necklace with a sterling silver toggle clasp, by Suzy Johnson.
Johnson is driven to make affordable, beautiful jewelry from natural stones, shells, corals and pearls from across the planet. “I love being able to both blend into fashion trends and personal taste,” she adds. “I also respect and appreciate the natural vibrations of each and every bead that I use. The energies within semi-precious stones are well documented, and certainly have been utilized by hundreds of cultures over the ages.”
Johnson welcomes custom orders, and invites collectors to visit her website, where she shows necklaces, bracelets, earrings and jewelry sets.
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Acosta Strong Fine Art
200 Canyon Road, Santa Fe, NM 87505
(505) 982-2795, acostastrong@gmail.com
www.acostastrong.com

Carlos Acosta and his dog Buster, with a Sonya Fe painting in the background.
“Acosta Strong gallery is thrilled to announce our commitment to the long-term growth and legacy of the artists we represent,” says co-owner Carlos Acosta. “With the recent purchase of our building in Santa Fe, we are dedicated to providing a permanent showcase for our talented roster of artists, as well as a place for our friends and collectors to call home. We take pride in curating one of the finest collections of historic and important contemporary artwork, showcased through our consignment program. Our gallery serves as a platform for both renowned and up-and-coming artists to exhibit their exceptional talents.”

Acosta Strong Fine Art, New Mexico Fall, oil on canvas, 48 x 60 in., by Evelyne Boren. Acosta Strong Fine Art, Luna Nueva, oil on canvas, 36 x 30 in., by Sean Michael Chavez.
As the gallery gears up for the exciting show season, Acosta Strong invites you to join them for a series of amazing exhibitions. In May, the gallery kicks off with a remarkable show of new works by the renowned artist Bill Baker. In June, it proudly presents the exclusive Tres Pintores exhibition, highlighting the incredible artistry of three distinguished painters; Jim Jennings, Jack Dunn and Robert Reynolds. July brings the extraordinary talent of New Mexico treasure Edward Gonzalez, followed by the rising star Sean Michael Chavez in August. The season concludes with the timeless elegance of Evelyne Boren and new works by Gregory Frank Harris, among other surprises.
“Visit our gallery in Santa Fe and experience the beauty, talent and creativity that Acosta Strong Fine Art has to offer,” says Acosta. “We look forward to welcoming you soon!”
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Barbara Meikle Fine Art
236 Delgado Street, Santa Fe, NM 87501
(505) 992-0400, info@meiklefineart.com
www.meiklefineart.com
Experience Barbara Meikle’s captivating artistry—an homage to New Mexico’s tranquil beauty. A lifelong artist, Meikle’s journey from sketching beloved horses, to earning a bachelors in painting and printmaking, led her back to New Mexico in 1990.

Barbara Meikle Fine Art, Blue Sky Bound, oil on canvas, 24 x 24 in., by Barbara Meikle. Barbara Meikle Fine Art, Fledgling at High Tide, limited edition bronze with unique color patina, 15 x 15 x 10 in., by Barbara Meikle.
Her style, “expressive impressionism,” infuses emotion into vivid colors, capturing subjects and places with a unique depth. Her limited-edition bronze sculptures feature unique hot-color patinas that similarly incorporate her emotional response to color and her subjects. Meikle’s success empowers her to support local equine rescues and animal shelters, like the Equine Spirit Sanctuary, Santa Fe Raptor Center, the New Mexico Wildlife Center and the Horse Shelter.
“Join us at the gallery for one of our annual animal fundraising events,” says Meikle. Ambassador birds from the Santa Fe Raptor Center will visit the gallery on Saturday, June 15, from 10:30 a.m. to 2 p.m. Therapy burros from Equine Spirit Sanctuary of Ranchos de Taos, New Mexico, pose for portraits on Saturday, July 13, from 11 a.m. to 2 p.m. Meikle paints portraits of live animal models as she offers a limited-edition print release. A portion of all proceeds from the day are donated to the featured organization to continue their rescue and therapy programs.

Barbara Meikle Fine Art, A Spring in His Step, oil on canvas, 24 x 8 in., by Barbara Meikle.
A variety of colorful artwork is also available in the gallery, including work by local glass artist David Shanfeld, pottery by ceramist Randy O’Brien and oil paintings by local painter Simone B. Silva.
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Blue Rain Gallery
544 S. Guadalupe Street, Santa Fe, NM 87501
(505) 954-9902, info@blueraingallery.com
www.blueraingallery.com

Front exterior view of Blue Rain Gallery in Santa Fe, New Mexico.
With a prime location in the Santa Fe Railyard, Blue Rain Gallery represents established contemporary artists working in a variety of mediums that include paintings, glass and bronze sculptures, pottery and jewelry. The gallery is eclectic in its approach, yet maintains a special focus on regional, Western, Native American and studio glass art, and features celebrated artists like Preston Singletary, Kathryn Stedham, Jim Vogel, Billy Schenck, Roseta Santiago, Dennis Ziemienski, Deladier Almeida, Starr Hardridge, Hyrum Joe, Brad Overton, Doug West and many others.

Blue Rain Gallery, Neon Martini, oil on canvas, 25 x 30 in., by Dennis Ziemienski. Blue Rain Gallery, Indian Scout, acrylic on canvas board, 19¼ x 15¼ in., by Tony de Luz.
Blue Rain Gallery is now in its third decade of providing important art to Southwest collectors. With a gallery now in Durango, Colorado, Blue Rain has two locations where visitors can enjoy a thoughtful curation of artworks that embody the essence and aesthetic of Blue Rain’s flagship gallery in Santa Fe.
The gallery also hosts regular shows, including Helen K. Tindel from May 17 to 31, Z.Z. Wei from May 31 to June 14, new glass works from Rik Allen and Shelley Muzylowski Allen from June 14 to 28, and Erin Currier from June 28 to July 13. Check the website for additional show information.
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Dominique Boisjoli Fine Art
622 Canyon Road, Santa Fe, NM 87501
(505) 428-0326, art@dominiqueboisjoli.com
www.dominiqueboisjoli.com

Dominique Boisjoli Fine Art, Gathering Light III, oil, 48 x 60 in., by Ken Elliott.
Dominique Boisjoli Fine Art is a contemporary gallery and sculpture garden featuring a group of artists working in a range of media, predominantly based in New Mexico and the broader Southwest. The gallery is thrilled to announce its move to a larger space on historic Canyon Road in May, which will coincide with an expansion of its roster of talent.

Dominique Boisjoli Fine Art, Nefertiti, repurposed metal, 51 x 8 x 2 in., by Chris Turri.
Joining Dominique Boisjoli’s large scale impressionistic florals and mountainscapes in acrylic, are Phyllis Kapp’s iconic watercolors depicting the New Mexico landscape in vibrant and saturated color. Collectors of Chris Turri’s striking reclaimed automotive steel sculptures will be thrilled to encounter larger works and an expanded inventory. Austin native Terrell Powell, renowned throughout the Southwest for his sculptural wall pieces inspired by Native American blankets, will also present larger works. Colorado-based landscape artist Ken Elliott rejoins the gallery with new works as well.

Dominique Boisjoli Fine Art, Many Layers of Blue Sky, acrylic, 24 x 24 in., by Dominique Boisjoli.
Other featured artists working in media ranging from oil, acrylic, assemblage and collage, as well as bronze and ceramic sculpture, include: Tim Weldon, Estella Fransbergen and Sandra Preston, Barbara Burzillo, Michael O’Brien, Tony Oviedo, Gina Rossi, Kari Rives, Karen Pierce and Mark Jenesel, Sharon Grimes, Sheri Meldrum, Craig Mitchell Smith and Jacob Barfield.
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Gallery Wild
203 Canyon Road, Santa Fe, NM 87501
(505) 467-8297, santafe@gallerywild.com
www.gallerywild.com
Located at the entrance of historic Canyon Road in Santa Fe, Gallery Wild showcases a variety of contemporary fine art inspired by wildlife, wild spaces and the Wild West.

Top: Interior view of Gallery Wild in Santa Fe, New Mexico. Bottom: Gallery Wild, Desert Alchemy, oil on canvas, 30 x 40 in., by Silas Thompson. Gallery Wild, Upward Journey, oil on panel, 48 x 36 in., by Jenna Von Benedikt.
The gallery’s collection features more than 25 established and emerging artists in a variety of media, including painting, sculpture, mixed media and photography.
Owned and operated by painter Carrie Wild and wildlife photographer Jason Williams, Gallery Wild’s works and philosophy are inspired and directly influenced by thousands of hours in the field observing, studying and falling in love with all things wild.
In addition to artists and owners Carrie Wild and Jason Williams, Gallery Wild’s collection of artists include Jenna Von Benedikt, Silas Thompson, Jeremy Bradshaw, Rocky Hawkins, Patricia A. Griffin, Rip Caswell and many more.
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King Galleries
130 Lincoln Avenue, Suite D, Santa Fe, NM 87501
(480) 440-3912, kgs@kinggalleries.com
www.kinggalleries.com

King Galleries, World Within, oil on canvas, 36 x 24 in., by Marcia Molnar.
King Galleries is a premier gallery of Native American and Western art, featuring the works of prominent artists like Marcia Molnar, Mary Calengor, Tammy Garcia, Andrea Vargas, Kwani Povi Winder, Ken Ferguson, Arthur Lopez, among many others. “More than 30 years of experience brings a unique perspective for collectors,” says gallery owner Charles King.

King Galleries, Harvest Time, bronze, ed. of 35, by Tammy Garcia.
In addition to paintings, the gallery has Native American pottery and bronzes. Since its inception, King Galleries has been committed to representing work by potters who create the highest quality and have the greatest innovation.

King Galleries, Huckleberry Baskets, oil on linen, 48 x 48 in., by Mary Calengor.
Today, King’s hosts both in-gallery and online events, including an annual, noteworthy show in during Santa Fe Indian Market. The King Galleries website also has become the ‘go-to’ site for museums, appraisers and collectors seeking out accurate information about artists and their art.
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Jan Marie DeLipsey
jan@jdelipsey.com
www.jdelipsey.com
Artist Jan Marie DeLipsey is known for creating gorgeous Western landscape scenes—bringing the viewer a “feeling of intimate reverence of nature’s quiet beauty.” Recently, DeLipsey received the Art of the West Publishers Award for Excellence for her work Vermillion Escarpment, at the 2024 Phippen Museum’s Women Artists of the West National Show.

Jan Marie DeLipsey, Sheltered, oil, 20 x 20 in.; Jan Marie DeLipsey, Kanab Canyon, oil, 25 x 40 in.
DeLipsey has shown her work in museums and galleries from California to New York, and everywhere in between. Her work has been featured in national fine art magazines and she has been juried into several prestigious art organizations such as the California Art Club, the International Guild of Realism and Oil Painters of America. DeLipsey is a Master Emeritus Member of Women Artists of the West and can most often be found with paint and easel in the high deserts of the Four Corners states. Her work can be found at Worrell Gallery based in Santa Fe, New Mexico.
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Glenna Goodacre
www.glennagoodacre.com

Glenna Goodacre in her Santa Fe studio in 1999 with the final design for the Sacagawea U.S. Dollar. Photo courtesy Glenna Goodacre Estate.
Glenna Goodacre was a much-heralded sculptor who worked out of her studio in Santa Fe, New Mexico. In her 50-year career, Goodacre sculpted more than 600 works, the most well-known of which is the Vietnam Women’s Memorial installed in Washington, D.C., on the National Mall in 1993. She also created the obverse for the Sacagawea U.S. Dollar, first minted in 2000, as well as the Irish Memorial at Penn’s Landing in Philadelphia. Goodacre was also an academician of the National Academy of Design and a fellow of the National Sculpture Society.

Glenna Goodacre (1939-2020), Waterbearers, 1985, bronze, ed. of 12, 84 x 6 in. New Mexico State Capitol Collection, Santa Fe. Courtesy Glenna Goodacre Estate.
Sadly, Goodacre passed away in 2020 after a long illness at her home in Santa Fe, the city where she lived and worked since 1983. Dan Anthony, a longtime presence in the art scene in Santa Fe as well as her studio director for the 33 years, has managed her estate ever since. There are currently more than 100 pieces left in her estate, with many consigned to Nedra Matteucci Galleries also in Santa Fe.
The Goodacre Estate, based in Santa Fe, has announced the completion of a new innovative website that will surely be a wonderful tool for Goodacre collectors and art aficionados alike. Visit the site at www.glennagoodacre.com.
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La Fonda on the Plaza
100 E. San Francisco Street, Santa Fe, NM 87501
(505) 982-5511, www.lafondasantafe.com
La Fonda on the Plaza, the only Santa Fe hotel situated on the historic Santa Fe Plaza, offers vibrant décor, authentic New Mexican architecture and a central location that provides guests with unsurpassed access to original artwork, entertainment and attractions, among many other amenities.
The hotel holds a coveted place in a rich tapestry of hospitality that predates American independence. City records indicate that La Fonda sits on the site of the town’s first inn, established when the city was founded by Spaniards in 1607, making the property the oldest hotel corner in America.

Left: Exterior view of La Fonda on the Plaza. Top right The lobby of La Fonda on the Plaza. Bottom right: : An oil on canvas by Tony Abeyta, titled Stormy Canyon, graces the walls of the hotel.
In addition, La Fonda is known for its rich art collection, with original artwork hanging in every guest room—connecting the people who designed, built and owned the hotel. Paintings by the best pueblo artists were acquired in the early years, and Sam and Ethel Ballen carried on that tradition, followed by Jenny Kimball—all supporting Santa Fe’s famed Indian Market and acquiring work by Native Americans and other artists for the hotel.
Upcoming events include a VIP Fashion Week Party hosted by Native American Art magazine, taking place in the La Fonda Lupkin Ballroom on Friday, May 3. The party will include a live DJ, food by La Fonda master chefs, drinks, and, of course, fashion. Visit www.nativeamericanartmagazine.com for more information about the party and other events at La Fonda.
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Legacy Gallery Santa Fe
225 Canyon Road, Santa Fe, NM 87501
(505) 986-9833, www.legacygallery.com

Legacy Gallery Santa Fe, Autumn Skies, oil, 28 x 52 in., by G. Russell Case.
Legacy Gallery stands as a beacon of artistic excellence, showcasing a captivating array of paintings and sculptures that span a diverse spectrum of subject matter, including Western, figurative, wildlife, still life and landscape.
Notable for featuring both historic masters and contemporary virtuosos, Legacy Gallery presents pieces by legendary figures including Olaf Wieghorst, Charles M. Russell and Frederic Remington, as well as creations by members of the esteemed Taos Society of Artists. Visitors can immerse themselves in an artistic narrative that weaves through the heart of 19th- and 20th-century artistry.

Legacy Gallery Santa Fe, A Proud Warrior Chief, oil, 46 x 26 in., by Z.S. Liang. Legacy Gallery Santa Fe, Jumping Jack Flash, bronze, ed. of 8, 101 x 46 x 35 in., by Paul Rhymer.
The gallery’s contemporary collection boasts masterpieces from acclaimed artists such as Mark Maggiori, whose dramatic Western scenes capture the spirit of the frontier; Martin Grelle’s evocative portrayals of Native American life; Bill Anton’s lush and soulful landscapes; John Coleman’s inspired sculptural storytelling; Thomas Blackshear’s dynamic figurative expressions; the poignant depictions of rural life by G. Russell Case; and Glenn Dean’s serene and harmonious landscapes.
With a commitment to celebrating the past while embracing the vibrancy of the present, Legacy Gallery continues to enrich its repertoire with new additions that fortify its reputation as a sanctuary for fine art. “Art lovers are invited to traverse the halls of Legacy Gallery, where the dialogue between the old and new cultivates a profound appreciation for artistic heritage and innovation,” says Cyndi Hall, general manager.
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Old West Events
(484) 639-9378
brian@brianlebel.com
www.oldwestevents.com

Last year’s auction in full swing.
Old West Events will host the 34th annual Brian Lebel Old West Show & Auction in historic Santa Fe from June 21 to 23. The annual event consists of a weekend vendor sale including more than 100 national dealers exhibiting some of the finest Western collectibles in the country, as well as an exciting live auction on Saturday night. The show and auction is held annually in both Santa Fe and Las Vegas, and is regarded as the premier vendor show in the Western collecting community.

Old West Events, The Famous Edward H. Bohlin “Mickey Mouse” Saddle, 16 in. seat, 4 in. back housing, 54 in. horn to stirrup.
The auction holds several records for Western artist Edward Borein, and frequently features work from both contemporary and deceased fine artists such as Will James, Maynard Dixon, Charles M. Russell, Olaf Wieghorst, Nick Eggenhofer, John and Terri Kelly Moyers, Michael Coleman, Eric Michaels, William Moyers, Joe Beeler, Edward S. Curtis, Edward H. Bohlin, Marjorie Reed and many others. In addition to Western artwork, the auction will feature authentic Western antiques, cowboy memorabilia and Native American artifacts.

Old West Events, Untitled (Native on Horseback), acrylic on canvas, 11 x 13½ in., by Mark Maggiori.
In early 2023, Old West Events joined forces with Morphy Auctions, creating a partnership that will foster the growth of the Western art and collectibles community in both the quality and availability of materials offered, as well as the expanding the audience for these unique and historic pieces.
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Manitou Galleries
123 W. Palace Avenue, Santa Fe, NM 87501
(505) 986-0440, www.manitougalleries.com

Interior view of Manitou Galleries based in Santa Fe, New Mexico.
Nestled in the heart of the Southwest, Manitou Galleries stands as a vibrant celebration of the region’s rich artistic traditions infused with contemporary visions. “With a proud focus on featuring the finest contemporary Southwestern painters and sculptors, our gallery offers visitors an evocative experience marked by a blend of modern aesthetics and timeless Southwestern motifs,” says Cyndi Hall, gallery general manager.

Manitou Galleries, Offering, oil, 60 x 48 in., by Aaron Hazel.
Notable masters like Mateo Romero and Nocona Burgess anchor the gallery’s prestige, along with artists like Jim Eppler, BC Nowlin and Aaron Hazel. “Meanwhile, our commitment to cultivating new talent continues with the arrival of emerging artists Taylor Crisp, James Randle and George Hill, whose works infuse fresh perspectives and invigorating energy,” Hall notes. “Their contributions are a promise of the gallery’s dynamic future, resonating with both seasoned collectors and first-time visitors.”

Manitou Galleries, For Us, oil, 30 x 48 in., by BC Nowlin.
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Meyer Gallery
225 Canyon Road, Santa Fe, NM 87501
(505) 983-1434 meyersfnm@gmail.com
www.meyergalleries.com

Interior view of Meyer Gallery based in Santa Fe, New Mexico.
Located in a prime location on Canyon Road in Santa Fe, Meyer Gallery holds a distinguished status among art enthusiasts and collectors, with a history spanning more than 50 years. “Our roots trace back to the original gallery in Park City, Utah, and since its establishment in 1987, our Santa Fe location has become a significant player in the city’s dynamic art scene,” says John Manzari, gallery owner.

Meyer Gallery, Twilight Companions, oil on canvas, 20 x 24 in., by Tony Pro.
Meyer Gallery boasts an extensive collection of more than 70 artists, both emerging and established, presenting a curated array of representational art across various mediums. Visitors are treated to a wide range of artistic expressions, from the serene beauty of Southwest landscapes to the emotive depth of figurative works. “Each year, we eagerly anticipate hosting a series of exhibitions, drawing not only local patrons but also discerning collectors from around the world, owing to our esteemed reputation in the art community,” says Manzari.

Meyer Gallery, Wild Horses, oil on panel, 31 x 31 in., by Michael Workman.
One of the gallery’s distinguishing features lies in the diverse range of painterly styles represented within its collection. Whether drawn to traditional realism or contemporary interpretations, patrons find many options to enjoy for the rest of their lives. As a cornerstone of Santa Fe’s vibrant art scene, Meyer Gallery continues to uphold its legacy of artistic excellence, providing a platform for art lovers to experience the beauty and cultural significance of fine art firsthand.
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Nedra Matteucci Galleries
1075 Paseo de Peralta, Santa Fe, NM 87501
(505) 982-4631 inquiry@matteucci.com
www.matteucci.com

Front view of Nedra Matteucci Galleries
Santa Fe’s landmark gallery for more than 50 years, Nedra Matteucci Galleries, specializes in historic works by the Taos Society of Artists, the early Santa Fe Arts Colony, and important American artists such as Alice Schille and Eric Sloane. The gallery also represents many of the best in Southwestern contemporary art, including master artists Gary Niblett, William Acheff, Curt Walters, Dan Ostermiller and Doug Hyde.
With more than 15,000 square feet of gallery space, a one-acre sculpture garden and koi pond to explore, Nedra Matteucci Galleries is a must-see destination for every art lover and visitor to Santa Fe. All are welcome, including furry companions.

Nedra Matteucci Galleries, Final Moment, oil on linen, 30 x 40 in., by Chris Morel. Nedra Matteucci Galleries, Earth Fire and Wind, bronze, ed. of 10, 29½ x 14½ x 18 in., by Michael Naranjo.
Guests are also invited to attend the summer exhibitions for 2024: Painter Chris Morel and sculptor Ed Smida in A Lifetime of Learning: Two Artistic Journeys runs from June 22 to July 12; and a one-man retrospective celebrating sculptor Michael Naranjo’s career and 80th birthday titled Reflections of a Sculptor: The Life and Work of Michael Naranjo runs from August 10 to 31. Dates for an Alice Schille show will be announced soon.
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Parsons Gallery of the West
122D Kit Carson Road, Taos, NM 87571
(575) 737-9200
art@parsonswest.com
www.parsonsart.com

A look inside of Parsons Gallery of the West on Kit Carson Road in Taos, New Mexico.
Parsons Galleries are located in historic downtown Taos in Northern New Mexico. It has been a family-owned and family-operated business for more than 30 years. There are two galleries: Parsons Fine Art, which focuses on historic Taos art, with many works by the Taos Society of Artists, and Parsons Gallery of the West, a contemporary gallery showcasing works by modern artists who are influenced by those early Taos masters.

Parsons Gallery of the West, Rio Grande Finale, oil on linen, 20 x 24 in., by Katelyn Betsill Del Vecchio. Parsons Gallery of the West, The Gatekeeper, oil on linen, 24 x 18 in., by Dan Stovall.
“Parsons Gallery of the West proudly represents 20 nationally known Western artists,” says co-owner and gallery director Ashley Rolshoven. “We have several artists who have been in the art scene for many years, as well as many recognized up-and-coming artists. The artists’ works are mature, well-developed and their styles are reminiscent in many ways of the early Taos painters.”
The gallery is appropriately housed in a colonial hacienda built around 1800, which was once the home and studio of Victor Higgins, a prominent member of the Taos Society of Artist.
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SWAIA
(505) 983-5220, members@swaia.org
www.swaia.org

Judging takes place for a basket by Jeremy Frey (Passamaquoddy). Photo © Kitty Leaken for SWAIA.
SWAIA’s Santa Fe Indian Market is the oldest and most prestigious Native North American art show in the world. This juried event includes multiple categories of art in the competitive show including pottery, diverse arts, two-dimensional art, jewelry, basketry, youth, textiles, bead and quillwork, pueblo wood carving and sculpture.

Jewelry by SWAIA artist Wanesia Spry Misquadace (Ojibway). Photo © Gabriella Marks Photography for SWAIA.
The 2024 show, now in its 102nd edition, will be held in downtown Santa Fe from August 17 to 18. This year’s event will welcome back SWAIA’s marquee events like the Best of Show Ceremony and award-winning art previews, along with visitor favorites like the Native American Clothing Contest. The weekend’s events include Native American food vendors, multiple dance and musical performances, panel discussions and the new Get Indigenous Film Festival.

SWAIA artist Peter Boome (Upper Skagit Tribe) Photo © Gabriella Marks Photography for SWAIA.
All ticketed events will be made public on SWAIA’s website, so be sure to look for updates.
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Santa Fe Art Auction
932 Railfan Road, Santa Fe, NM 87505
(505) 954-5858, info@santafeartauction.com
consign@santafeartauction.com
www.santafeartauction.com

A showroom view at Santa Fe Art Auction.
Santa Fe Art Auction has long been the pre-eminent auction house in the Southwest and a nationwide leader in classic Southwestern, Western and Native American arts, as well as in global and American contemporary art. The auction house, founded in 1994, celebrates its 30th anniversary this year, and is today renowned for its state-of-the-art operation based in an ultra-modern, 13,000-square-foot facility in the heart of Santa Fe’s Baca Railyard Arts District.

Santa Fe Art Auction, Vanishing American Cowboy, acrylic on canvas, 48 x 42 in., by Stephen Rosser. Estimate: $4/8,000; Santa Fe Art Auction, Changing Woman with Hero Twins/“Walking Beauties”, 1940, oil on board, 10¾ x 14¼ in., by Dorothy Brett (1883-1977). Estimate: $8/12,000
A celebrated leader in the Western art circuit, Santa Fe Art Auction presents approximately 10 auctions each year, with each collection displayed within multiple showrooms, and curated to showcase the diverse movements and specialties within each sale. The auction house has routinely set record hammer prices for prominent classic and contemporary artists, including RC Gorman, Charles Loloma, Tony Abeyta, Gustave Baumann, Luis Jimenez and Edward S. Curtis.
The auction house has further presented many important single-owner collections, including the Christopher Cardozo Collection of Edward S. Curtis, The Georgia and Charles Loloma Collection, and the Joseph Pytka Collection of historic Native American and New Mexican works.
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Couse-Sharp Historic Site
146 Kit Carson Road, Taos, NM 87571
(575) 751-0369, admin@couse-sharp.org
www.couse-sharp.org
The two-plus-acre Couse-Sharp Historic Site in Taos, includes the homes, studios and gardens of Eanger Irving Couse and Joseph Henry Sharp, two of the founders of the Taos Society of Artists (TSA), and is the home of the Lunder Research Center. CSHS has become an international destination for education, artistic collaboration and scholarship because of its authenticity and importance to American art and the history and cultures of the West.
“The TSA left a profound artistic and social legacy,” says Davison Koenig, executive director and curator. “Their shared vision of creating a uniquely American art, permanently influenced the world of art and prevailing perceptions of Native America and the American West.”

Left: Couse-Sharp Historic Site, Jicarilla Future, acrylic on canvas, 40 x 30 in., by Nocona Burgess. Top right: Couse-Sharp Historic Site, Above the River, oil on canvas board, 12 x 16 in., by Brett Allen Johnson. Bottom right: Couse-Sharp Historic Site, Double Down, oil on canvas, 24 x 24 in., by Sean Michael Chavez.
The organization’s premier fundraiser, La Luz de Taos 2024, is set for this June. The 50-plus artists participating in the exhibition include Tony Abeyta, Angela Babby, Autumn Borts-Medlock, John Coleman, Nicholas Coleman, Glenn Dean, Josh Elliott, Logan Maxwell Hagege, Mark Maggiori and Kevin Red Star. The exhibition is dedicated to artist Ed Mell, a good friend of the site who recently passed away.
“The artists in La Luz de Taos represent a breadth of backgrounds, presenting a contemporary vision of our region, its people, and the nuanced history and traditions imbued in the landscape,” Koenig notes.
The exhibited works will primarily be sold by fixed-price draw, with paintings by Dean, Hagege and Maggiori on secret-bid auction. To see images, learn more and obtain tickets to the gala or absentee ballots, visit www.laluzdetaos.org.
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Tourism Santa Fe
201 W. Marcy Street, Santa Fe, NM 87501
(800) 777-2489, www.santafe.org
The diverse and creative city of Santa Fe has long inspired creators. Today, it hosts hundreds of artists, working passionately at their craft, be it pottery, jewelry, painting, textiles, sculpture or photography, making the City Different a truly unique destination that proudly carries the international honor of being a UNESCO Creative City for its innovation, investment and community in a range of arts and creativity.

Top: A couple shops for Navajo textiles at Shiprock Santa Fe. A docent shows a piece of art at the Wheelwright Museum of the American Indian. Bottom: An art lover browses for contemporary Native American paintings at a Santa Fe gallery.
These local artists, others from the region and around the world are represented in Santa Fe’s 250-plus world-class galleries. To fully experience the scene, begin along Canyon Road, one of four classified art districts in the city. It’s a half-mile stretch featuring 100-plus galleries ensconced in charming adobe homes. Open a dialogue with a gallery owner to learn about an artist’s process of working with oils, watercolors, clay or glass. Other hotspots include the downtown area, where a visitor can engage directly with the Native American artisans under the portal of the Palace of the Governors nearly every day of the week, rain or shine, and learn about their techniques of working with turquoise and silver.
The more contemporary Railyard Arts District and the Baca Street Arts District enliven industrial warehouse-style spaces, and offer a chance to see artists at work in their studio spaces. Santa Fe also has a concentration of more than 20 important museums. Clustered in and around the Santa Fe Plaza and Museum Hill neighborhoods, opportunities include historic and contemporary works of Indian art and culture, Georgia O’Keeffe, folk art, the history and art of New Mexico, as well as ever-changing and provocative installations by influential artists of today that challenge the viewer to ponder their assumptions about the meaning of life.
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